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Sunday 07 April 2024
01 April 2024 - 07 April 2024
February 2024
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
09.01.2024 - 07.04.2024

CHRISTO – ART AND COLORS | Deconstruction of the Academic Knowledge

Kvadrat 500, Hall 27
In 2012, Vladimir Tchimov and his wife donated to the then National Gallery for Foreign Art works by Christo Yavacheff – Christo (1935 – 2020) from his student years at the National Academy of Arts in Sofia. These works have been exhibited in hall 27 of Kvadrat 500 since its opening. Nearly 10 years later, Mr. Tchimov makes a new donation, provoked by a personal interpretation of projects that outline Christo’s international creative success.
In a chamber temporary exhibition in hall 27, Mr. Tchimov presents his thesis in relation to the works “On the Market” and “Male Head”.
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
27.04.2024
Religious Holidays
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
07.02.2024 - 28.04.2024

Krasimir Karabadjakov | TROUBLED SURFACES

The Palace
The paintings featured in the exhibition outline the territory of the ‘imagerial compulsions’ that have haunted Krasimir Karabadjakov over the years; a reign in which his view of painting is—iconographically, thematically, and creatively—elevated above banality.
With his very choice of surface, the artist avoids flatness and its attendant dialogue, in order deliberately to put an end to such garrulity. A surface as fine as a sheet of aluminium (or other material) does not resonate until Karabadjakov creates a second surface on which he unfolds his unexpected scenes, constructed with details and personages that are never literal. Fantastical, original fragments—individual images, impulses and obsessions, which the artist gathers in one place—form the major series of paintings on which he has worked throughout the years: ‘Hobby’, ‘Punishment’, ‘Closed Topic’, ‘To the North’, ‘House of the Rising Sun’, ‘Landscapes’, ‘Balkan Landscape’, ‘Airport’, ‘HORROR’, and ‘GOLD’.
Karabadjakov’s painting indubitably belongs to the domain of the conceptual. His markedly personal expressive gesture makes it difficult to draw a direct parallel with the oeuvre of any other artist working in a similar area. The dynamism of form, the subtle irony and sensitivity of vision, the shifting of dimension and the skill in transforming the space; all are major characteristics of his art. He adroitly creates the sense of a troubled surface that seems to vibrate and move yet remain constantly insecure. Avoiding familiar, cosy techniques in building the composition and the principles of the golden ratio, Karabadjakov frequently takes an approach inherent in an Asian compositional style—the white area in the upper section of the canvas is deliberately enlarged, while the clean vertical is intersected by the horizontal. This makes the viewer’s gaze hesitant and uncertain, as in an encounter with Eastern art.
The surface of the works is expressive, owing primarily to the energy accumulated as a result of a concentrated and intensive interaction with the pictorial material. The artist invariably feels a certain degree of unquiet in using the flat form of expression intrinsic in painting, familiar as he is with numerous examples from the world history of art, as well as the rapid development of new technologies in today’s virtual and visual worlds. Krasimir Karabadjakov graduated in Painting in 1988 from the National Academy of Arts, in the class of Prof. Petar Mihaylov. From his earliest appearances, he was appraised as a painter who had unreservedly distanced himself from traditional figurative language. He was one of the five founders of the Disco ’95 group, along with artists Rumen Zhekov, Krasimir Dobrev, Dimitar Mitovski and Kolio Karamfilov. Since 2010, he has been teaching painting in the Faculty of Fine Arts at Sts Cyril and Methodius University, Veliko Tarnovo. Many of his students have become talented contemporary artists.
Media partner: BTA / Bulgarian News Agency, Yana Bratanova, exhibition curator.
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
28.04.2024
Religious Holidays
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions
30.06.2023 - 31.05.2024

Mihaela Mihailova – MISHA MAR PORTRAIT OF THE MOON IN BLACK

Kvadrat 500
The fourth edition of ‘The Wall’, the National Gallery’s project launched in 2020, welcomes artist Mihaela Mihaylova – Misha Mar to the Kvadrat 500 Atrium. At one of the areas designated for contemporary art and located at the heart of Kvadrat 500—home of the National Gallery’s permanent exhibition—there rises a monumental structure titled ‘The Wall’. The idea of creating this facility was largely prompted by the need to present mural and graffiti artists in the gallery. After showing the works of Nikolay Petrov GLOW (2020), Alexi Ivanov (2021) and BILOS (2022), the project now introduces Mihaela Mihaylova – Misha Mar. She presents ‘Portrait of the Moon in Black’, a composition representing the eight phases of the Moon in black and white, painted over more than a month. As a true selenophile, Mihaela examines the theme in detail and conceives a particular affection for the subject of her studies—marks visible on the surface of the exquisite portrait she creates.
‘My Moon,
‘My faithful friend in the night, this is a love letter to You, painted with the calligraphy of my soul on Your surface. All the words I never told You, fixed upon the layers of our unspoken secrets that glow with the reflected light of the burning desire of the day.
‘This is for You…’
Misha Mar
The eight faces of the Moon—the full moon cycle—‘rises’ on ‘The Wall’ in the Sculpture Garden of Kvadrat 500, to the accompaniment of MUSICAL STATUES. Guests will be able to enjoy special summer cocktails with MALFY GIN.
The project is made possible through the support of the Lachezar Tsotsorkov Foundation.
About the artist In 2008, Mihaela Mihaylova graduated in Iconography from the Tsanko Lavrenov National Secondary School in Plovdiv. Later, she was awarded a Bachelor’s Degree in Painting and, in 2014, she graduated from the Photography Master’s Programme at the National Academy of Arts. The artist has held several solo exhibitions and been included in many group exhibitions. In 2023, she presented to the public her first photo book, ‘MAR’, with black-and-white photographs depicting the parallel worlds ‘between the mountain and the sea, between birds and firebugs.’
Exhibitions