Show map events
Friday 21 July 2023
17 July 2023 - 23 July 2023
June 2023

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

DIE ZAUBERFLÖTE
Opera by Wolfgang Amadeus Mozart – version adapted for children
Military academy - small hall
Military academy - small hall
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

THE WOLF AND THE SEVEN LITTLE KIDS
Musical by Alexander Vladigerov
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

DAS RHEINGOLD
Opera by Richard Wagner / Der Ring des Nibelungen
Duration: 2:35 No intermission
Main Hall
Performed in German, with Bulgarian and English subtitles
Duration: 2:35 No intermission
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

THE WOLF AND THE SEVEN LITTLE KIDS
Musical by Alexander Vladigerov
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
Music and Dance Events

DIE WALKÜRE
Opera by Richard Wagner / Der Ring des Nibelungen
Duration 5:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Duration 5:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

OFFICIAL CHANGE OF THE GUARD IN FRONT OF THE PRESIDENCY BUILDING
In front of the Presidency
The ceremonial change of the guard in front of the Presidency marks the national and public holidays in Bulgaria. The official change of the guard takes place on the first Wednesday of every month at 12:00 o’clock.
Festivals

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

GÖTTERDÄMMERUNG
Opera by Richard Wagner / Der Ring des Nibelungen
Duration 6:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Duration 6:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

The lost princess
A concert with songs from the musicals "Anastasia" and "The Sound of Music"
Military academy - small hall
Military academy - small hall
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

THE WOLF AND THE SEVEN LITTLE KIDS
Musical by Alexander Vladigerov
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
Music and Dance Events

NEEDLES IN A HAYSTACK
The Palace
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Artists: Boryana Petkova & Iskra Blagoeva, Boryana Rossa, Katya Dimova, Krasimira Butseva, Monika Popova, nada ree, Natalia Jordanova, Neda Milanova, Oksana Kazmina, Rayna Teneva, Sophia Grancharova, Zelikha Shoja.
Curator: Svetlana Kuyumdzhieva
Design: Viktoriya Staykova
The exhibition presents the results from the BFW’s open call for the Fund for art projects by women artists in 2022. The female authors and their concepts were chosen among over 200 candidates in the competition. The expert jury consists of the curators Svetlana Kuyumdzhieva, Daniela Radeva, Stefka Tsaneva, Margarita Dorovska, as well as Gergana Kutseva, Dobromira Terpesheva, and Rosena Ivanova from the BFW team. Invited to respond to the state of emergency, challenges, and urgency in this day and age, the women artists react with varied intensity, character, style, and a great amount of sincerity. Contrasts and similarities between them, in the choice of media, their candor, turning towards their inner selves, and sharing personal stories, experiences, and memories all create a common environment of empathy and reciprocation. What inevitably connects them is exposing stereotypes about women’s social role and position. They are also connected by the needle as a tool chosen by most of them, but also as a byword for that patriarchal image of the woman holding her needlework. An image rooted in the consciousness of generations on end, which all these women defy.
The story of the needle resembles a woman’s story, as confirmed by many feminist theorists. However, it does not follow a specific linearity, but is ambiguous and controversial, simultaneously a story about isolation, reassurance, and seclusion, but also about interacting with the world and opposition. The needle is the symbol of the skill passed on in the family, over generations, from grandmothers and mothers, knowing what it is to be a woman, the natural attraction towards the warmth of the fabric, and intimate interaction. The process of embroidery and sewing is story-telling. It encompasses the whole patience for bringing the threads together and passing on memories and messages. The needle as a means to create and to mend, as one of the symbols of coziness, of childhood memories, is fragile, but sharp.
The project of the Fund for Artistic Projects by Women was made possible thanks to the trust and financial support of Veronika Puncheva, Lachezar Tsotzorkov Foundation, Legrand, Ubisoft, ALD Automative, as well as with the logistical support of the Institute for Contemporary Art – Sofia and Credo Bonum Gallery. The opening event is hosted by Freixenet.
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

THE THREE PIGGIES
Musical by Alexandar Raichev
Military academy - small hall
Performed in Bulgarian
Military academy - small hall
Performed in Bulgarian
Music and Dance Events

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

Music and Dance Events

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

LITTLE RED RIDING HOOD
Musical fairy-tale by Alexander Vladigerov
Military academy - small hall
It is performed in Bulgarian
Military academy - small hall
It is performed in Bulgarian
Music and Dance Events

TRISTAN UND ISOLDE
Opera by Richard Wagner
Duration 5:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Duration 5:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

Religious Holidays

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

LITTLE RED RIDING HOOD
Musical fairy-tale by Alexander Vladigerov
Military academy - small hall
It is performed in Bulgarian
Military academy - small hall
It is performed in Bulgarian
Music and Dance Events

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

SHEGOBISHKO OF THE ISLAND OF MIRACLES
Musical Georgi Kostov
Duration: 60 minutes
Military academy - small hall
Performed in Bulgarian
Duration: 60 minutes
Military academy - small hall
Performed in Bulgarian
Music and Dance Events

DER FLIEGENDE HOLLÄNDER
Opera by Richard Wagner
Duration 2:40 Intermission 1
Pancharevo Lake / next to Sredets National Rowing Base
Performed in German, with Bulgarian and English subtitles
Duration 2:40 Intermission 1
Pancharevo Lake / next to Sredets National Rowing Base
Performed in German, with Bulgarian and English subtitles
Music and Dance Events

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions

THE WOLF AND THE SEVEN LITTLE KIDS
Musical by Alexander Vladigerov
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
50 minutes and no intermission
Military academy - small hall
Performed in Bulgarian
Music and Dance Events

DER FLIEGENDE HOLLÄNDER
Opera by Richard Wagner
Duration 2:40 Intermission 1
Pancharevo Lake / next to Sredets National Rowing Base
Performed in German, with Bulgarian and English subtitles
Duration 2:40 Intermission 1
Pancharevo Lake / next to Sredets National Rowing Base
Performed in German, with Bulgarian and English subtitles
Music and Dance Events

NINA RUSEVA: ATLANTIS
The ‘Atlantis’ exhibition is an adventure of the senses, an open door to the notion of reality and the past, a bold and dreamy inducement to encounter the unknown or the non-existent, even if only in one pictorial world.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Nina Ruseva created most of these paintings specifically for the occasion. The extreme, exciting emotional experience physically separates us from the reality surrounding us and conveys us to distant worlds. Peru, the Antarctic, Perperikon, or the lost lands of Atlantis—all unfold before the eyes of the viewer, refracted through the personal emotion and sensibility of the artist, through the rich imagination and curiosity towards the unknown that she materialises in her painting.
Nina Ruseva’s landscapes occupy the boundary between abstraction and reality—effulgent and temperamental, creating a sense of dynamism and, at the same time, bringing tranquillity to a desolate space dominated by natural forms. The large formats allow for a bold handling of form, colour, and large strokes thickly applied to the canvas.
The bright palette and frequent use of dark contours are distinguishing features of Nina Ruseva’s figurative language, reinforcing the feeling of the illusoriness of natural scenes.
Exhibitions

THE APOSTLE’S CONFESSION
Multimedia exposition dedicated to 150 years since the death of the Apostle of Freedom, Vasil Levski.
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Using holographic technology on a large-scale video wall, a re-enactment of the trial of the Apostle of Freedom is displayed, and significant moments of his life are brought back to life. Veselin Plachkov portrays Vasil Levski. Actors Ivan Trenev, Lyubov Pavlova, Rumen Ivanov, Alexander Georgiev, Biser Marinov and Nikola Dodov are also participants. Nelly Dimitrova is the screenwriter; Dimitar Gochev, the director; Simeon Parashkevov and Dimitar Gochev, cinematographers; Atanas Gendov, composer; Pirina Veselinova, Evgeni Gospodinov and the Svetoglas Quartet, musical performers; sensor studio, animation and mapping; Hristo Karagyozov, audio mixing and post-production; Ivo Milev, creative producer; and Tsvetoslav Borisov, executive producer.
The National Gallery and the Vasil Levski All-Bulgarian Committee created the exposition, with the financial support of the Ministry of Culture and donations by the Lachezar Tsotsorkov Foundation, Kaufland Bulgaria EOOD, Aurubis Bulgaria JSC, Vazovski Machinery Works JSC – Sopot, and patriotic Bulgarians.
Kvadrat 500, entrance at 95, Vasil Levski Blvd., Sofia
Opening hours:
Tuesday–Sunday, 10 a.m.– 6 p.m.
The screenings are 30 minutes away, starting at 10 am
Bookings for groups of up to 20 people: +359 879 834 025
FREE ADMISSION
Exhibitions