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Sunday 03 November 2024
28 October 2024 - 03 November 2024
December 2024
31.05.2024 - 12.01.2025

NEDKO SOLAKOV

The Palace
Nedko Solakov, who lives in Sofia, is one of the most renowned artists of his generation. He has an impressive professional biography with over 100 solo exhibitions in illustrious museums across Europe, America, and Asia. He has also had long-standing collaborations with prestigious international galleries and has participated in numerous international biennales such as Istanbul, Sydney, Venice, New Orleans, Tirana, Sharjah, Riga, Kathmandu, Moscow, Seville, Sao Paulo, Yekaterinburg, and Thessaloniki, among others. Additionally, he has been part of group exhibitions curated by visionary curators.
Notably, he is the only artist living in Bulgaria who has represented the country at the Biennale di Venezia and has been also included three times in its main curatorial project.
In 2007, he received an “Honorable Mention to an artist exhibited in the central international exhibition” at the 52nd Biennale. Nedko Solakov has also twice participated in the world’s most prestigious contemporary art exhibition, Dokumenta in Kassel.
At the core of Nedko Solakov’s immense success is his art’s ability to resonate with a diverse spectrum of viewers. His stories resonate with all, from sophisticated curators to those who find themselves in museums by chance. His visual language is a dynamic ‘conversation’ between drawing, painting, objects, space, and almost always text – narrative, description, commentary, and word games. His stories themselves are a kind of encyclopedia of the present time – art and artists, nature in all its diversity, current politics, social issues, and the heroes of the day, all woven together by the author with a wealth of emotion and humor, often with self-irony.
The project “A Cornered Solo Show” began back in 2021, when the artist approached directors and chief curators of well-known museums with the request to provide him with an “insignificant” corner in their buildings – a corner that has never been used for exhibitions, but which the public has access to.
So far, three “corners” have been realized in major European museums: #1 at MUDAM – the Grand-Duke Jean Museum of Modern Art in Luxembourg (2021), #2 at MAXXI – the National Museum of Art of the Twenty-First Century in Rome (2022), and at the Belvedere in Vienna, which is hosting the “Cornered Solo Show #3 (with Charles Escher as my artistic conscience),” until June 19 this year.
All three exhibitions, united by an unusual, strange, previously unused corner space, tell completely different stories created specifically for their context. At the National Gallery, in such a previously unused “new,” albeit obvious and easily accessible space in the Palace, “A Cornered (Future) Solo Show #4” tells the imaginary story of a humble court painter and his friend, a tiny mouse, who are living under the staircase of the palace. Iaroslava Boubnova, curator of the exhibition.
Media partner: BTA / Bulgarian News Agency
Exhibitions
06.06.2024 - 31.05.2025

The Wall Vol. 5: Filipina Stamenkova REFLECTIONS

Kvadrat 500 Atrium Entrance at 95, Vasil Levski Blvd.
Curator: Martin Kostashki
The fifth edition of the National Gallery project, ‘The Wall’, presents ‘Reflections’, a site-specific installation by artist Filipina Stamenkova.
The mirror is a unique object, and an aspect of a deeply personal experience within the space where we find ourselves. What we see changes as we move—much like the sequence of frames in a film, an experience based on the principle of anamorphosis.
The artist explains: ‘When visitors reach this wall, they see themselves reflected in the mirror and thus occupy a central place in the installation. In the context of architecture and exteriors, mirrors retain the magical ability to bend, distort, expand and transform images and, through them, our perception of those images and our relationship with the living space. A sometimes pleasant, sometimes surprising or even comforting, often strange and confusing experience, the act of capturing oneself in a reflective surface is so fundamental to our continued assessment. The mirrored surface is strangely passive, yet intrusive and energetic, not only because it reflects the environment and the people around but, because of the very nature of its reflective quality, it transforms the way we see the world that surrounds us.’
When viewers see themselves reflected in a work, art immediately inspires a pronounced interest and creates a magical fascination similar to that in the myth of Narcissus.
The scale of the mirrored sculptural installation expands the visual space of the Kvadrat 500 Atrium, adding another aspect to its entry into the inner life of the gallery—by changing it and creating a new space.
The installation was designed and built by Woood Makerspace, a shared workplace for people with ideas who are skilful with their hands, with tools, and who have an aptitude for engineering. A place for bold projects, design developments and creative workshops in ceramics and woodcarving, the atelier is well known for its production in Georgia, Morocco, South Africa, as well as throughout Europe. To this day, a condition for accepting a commission is that it be complex and require brainstorming and creativity. The Woood brand is also popular for its work with the fashion giant Louis Vuitton, for which it has produced various façade and interior installations for the brand’s boutiques in London, Paris, Tokyo, and other cities. In Bulgaria, Woood is widely known for a number of projects relating to urban causes: the Imp-Act Agency’s Christmas decoration, the hidden letters of the Reading Sofia Foundation, as well as for initiatives developing the capital’s tourist image of the, in partnership with Sofia Airport and soSofia.com, the independent platform for city symbols.
The project was made possible with the financial support of the Lachezar Tsotsorkov Foundation.
Media partner: BTA / Bulgarian News Agency.
Exhibitions
20.06.2024 - 24.11.2024

LABOUR: When the Foundations Were Laid

Museum of Art from the Socialist Period
The exhibition focuses on one of the most significant themes in the art of Socialism—labour. Among the artists behind the paintings, sculptures, graphics and applied art works, names such as Iliya Petrov, Dechko Uzunov, Stoyan Sotirov, Nikola Tanev, Stoyan Venev, Ekaterina Savova-Nenova, and Alexander Poplilov, stand out.
Both classic examples of Socialist Realism and unknown or previously unexhibited works are on display. In addition to their high artistic qualities, some of them represent authentic documents from one of the most controversial and dramatic periods in Bulgaria’s political history. Such is Nikola Tanev’s graphic series of the construction of the Lovech-Troyan Railway, the Kutsian mine, and the Republic colliery in Pernik, as well as graphic works by Pavel Valkov depicting the erection of the Georgi Dimitrov Mausoleum in Sofia.
After the Second World War, a totalitarian model of governance was established in Bulgaria, with the Communist Party at the helm. Within a few years only, control had been imposed on all spheres of political, social and cultural life.
Art and culture began to perform propaganda functions. The new ‘proletarian’ or ‘Party’ art created its mythologems, among which—along with the ‘leader’ and the ‘hero’—the image of the worker was assigned a central place.
The Socialist world view made labour one of the principal ideologemes turning it into a rigid narrative and a tool for imposing its own power. It was labour itself that was the instrument, the means for transforming society and the moulding of the new man. The social demiurges remodelled this fundamental, age-old impulse and necessity of human beings to work to ensure their livelihood, into a glorified, almost sacral activity, standing on the loftiest pedestal of Socialist virtues.
The parade pathos of Socialist Realism dominated Bulgarian art from the late 1940s to the end of the 1950s, bequeathing classic examples of this artistic style and thematic engagement. In the subsequent decades of totalitarian rule, the interpretations and intonations of the expression of the theme would change; other motifs and novel imagery were to come, but these will be the subjects of the next editions of the ‘Labour’ exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
16.10.2024 - 15.12.2024

IN FRONT OF THE EYES | Kalin Serapionov

The Palace
Opening on Wednesday, 16 October, 6 p.m.
Curator: Iaroslava Boubnova
Among the most acclaimed artists in Bulgaria, Kalin Serapionov is closely associated with unleashing the potential and development of the vast possibilities of video in the context of art. He is focused on its potential to hold attention, form an image and generate suspense with no narrative techniques and literariness of the subject.
Serapionov was already devoting himself to video back in the 1990s, independently studying the possibilities of cameras using magnetic tape and the VHS format. Today, he steps confidently in the domain of digital technologies, with a markedly critical attitude to the clichés that impose themselves in their ubiquity.
The exhibition ‘Before Our Eyes’ is of a retrospective nature, presenting some of Kalin Serapionov’s emblematic works. The outrageously ironic video, ‘The Museum—Cause of Meeting and Acquaintance’ (1997), was among the earliest, filmed almost 30 years ago in the building that is hosting the current exhibition...
Kalin Serapionov’s exhibition, ‘Before Our Eyes’, was specifically assembled for the traditional architecture of The Palace. Screens pulsating with colours and shapes, large-format thematic projections and portrait messages form the shared space of the entire video installation.
General sponsor: MFG Foundation. With the support of Beyond Data Bulgaria LLC and Gaudenz B. Ruf.
Media partner: BTA / Bulgarian News Agency.
Exhibitions
17.10.2024 - 27.05.2025

ALEXANDER DENKOV’S ILLUSTRATIONS FOR HOMER’S ‘THE ILIAD’ BY NARODNA KULTURA PUBLISHING HOUSE, 1969

Kvadrat 500, 4th floor
Alexander Denkov (1925–1972) was an artist with a short lifespan, but an extremely rich, meaningful, and prolific oeuvre. He was most productive in the genres of illustration and book design, although his unabating energy also flowed into cinema and the theatre: he was the scenographer for the theatrical performances ‘The Iron Oil Lamp’ and ‘The Bells of Prespa’; and the production designer of films including ‘The Law of the Sea’, ‘The Sun and the Shadow’, ‘Stars’, and ‘The Five from Moby Dick’. His contribution to the development of science fiction illustration remains significant, while his curiosity for hidden natural beauties and his extreme nature made him one of the pioneers of diving and cave exploration in Bulgaria.
In 1969, Denkov produced his remarkable illustrations for Homer’s epic poem, ‘The Iliad’. Respecting the theory that this art visualised the word, enriching the author’s text, the artist transformed one of the most ancient literary works into images. The illustrations draw the reader into the atmosphere of Hellenic culture. The distinctive iconography and stylistics of the art of that time were interpreted to excellence, yet without being deprived of a personal style and individual expression. Through the contrast of the black lines with the white paper, he built perfect compositions, in which the strokes of differing intensity and density are predominant. This play between airiness and definiteness creates a feeling of dynamics of the image and density of tones and halftones. The works are part of the National Gallery’s extensive graphic stock.
Team
Curator: Dr Tanya Staneva
Restorer: Kristina Beleva
Graphic designer: Dimitrina Nenova
Translation into English: Nigrita Davis
Avgust Spasov
Iliya Shapkaroski
Exhibitions
03.11.2024
Music and Dance Events
03.11.2024

THE THREE PIGGIES

Musical by Alexandar Raichev
Duration 1:00
Chamber hall
Performed in Bulgarian.
Music and Dance Events
03.11.2024

Concert of Silhouettes Chamber Ensemble

Chamber Hall
Solоist/s
Ensemble
Chamber Ensemble Silhouettes
Program
Ludwig van Beethoven – Trio for piano, clarinet (or violin), and cello in B-flat major, Op. 11, “Gassenhauer Trio”
Robert Schumann – „Märchenerzählungen“ – Trio for Clarinet, Cello and Piano, Op. 132
Johannes Brahms – Trio for Clarinet, Cello and Piano
Music and Dance Events